He is ruthless, selfish and unconcerned what others think of him. He refuses to acknowledge the work of colleagues upon which his own success is founded. We see Jobs denying the paternity of his daughter Lisa (Makenzie Moss) and withholding support money from her mother Chrisann (Katherine Waterston) when money is not an issue. He may have been a visionary, inspirational leader but was also, as his friend Steve Wozniak (Seth Rogen) puts it succinctly, "an asshole". There is a good deal of poetic licence in these impossibly tense pre-launches, but more drama than one would have imagined possible from a computer sales pitch.Įven though he is examined microscopically this movie, Jobs remains an enigma. It's stressful to watch let alone imagine what is going through Jobs' mind. As the clock ticks down to a crucial presentation in front of thousands of journalists and industry insiders, he is set upon by family members, friends and colleagues. Suppliedīefore each event Jobs is confronted with a raft of problems – personal, technical and professional. Michael Fassbender gives a persuasive performance as Steve Jobs, but the film focuses on Jobs' abrasive personality rather than his vast achievements. Along the way we watch Jobs morph from an intense jerk who wears a blazer and a bowtie, to an intense jerk in trademark black polo neck and jeans.
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The key is the ingenious idea of structuring the movie around three product launches: the Macintosh in 1984, the NeXT cube in 1988, and – finally and triumphantly – the iMac in 1998. Danny Boyle's Steve Jobs, with a script by Aaron Sorkin and Michael Fassbender playing the lead, is as much of an advance on the previous model as the iPad was on the Newton. Jobs (2013) by Joshua Michael Stern, with Ashton Kutcher in the title role, was a clumsy, schematic affair. Since his death there have been at least six documentaries and two feature films.
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"I think we were weeping for the loss of future products," was Gibney's diagnosis.įor better or worse, Steve Jobs, who took Apple from the brink of bankruptcy and made it into the most successful company in the world, has become an icon of our age. It seemed remarkable that so many people were in tears for a man they'd never met. In this strange way, the movie is as unfair to Woz as it is to Jobs–which is ironic, given that Woz was a paid consultant.In his documentary of last year, Steve Jobs: The Man in the Machine, Alex Gibney analysed the worldwide outpouring of grief that followed the death of the tech guru in 2011.
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Talk about a one-dimensional character: Woz shows up in every act, begging for the same thing–he wants Jobs to publicly acknowledge the Apple II team, the one Woz led and that Jobs slighted. By this time, Woz had already withdrawn from active work at Apple and the real blowup was long behind them. And Lisa lived with Steve and Laurene from 1992 to 1996.ĩ) After delivering some extremely optimistic sales forecasts for the iMac to Jobs, Hoffman says, “Steve, it’s over, you win.” While the iMac helped stabilize Apple, it didn’t guarantee Steve’s “victory.” Apple was still losing money, and didn’t start growing again until the early 2000s, after the surprising success of the iPod.ġ0) Apple cofounder Steve Wozniak and Jobs have a dramatic public shouting match before the iMac launch. In fact, Jobs married Laurene Powell in 1991. 8) That last scene hinges on an imagined reconciliation with Lisa, and depends on an astounding fiction of omission: The entire scene takes place as if Jobs is unmarried, has no kids, and hasn’t changed at all as a result.